scrubjayspeaks: photo of a toddler holding an orange tabby cat (baby Joyce)
ARGGGG! I'm succeeding in tying myself up in knots. There's a submission call at a small press that a friend tipped me to. I've been dicking about with an idea for a while. Like, really a while. Submissions close the first. Uh. Yeah. I haven't written the story yet, but I definitely probably could get it done in time. It's not long, I've got an outline and some bits started.

I spent all day getting enthused about it. Thinking, yeah, okay, we're cutting it kinda close, but this is doable. And then I got home. I needed to check the guidelines again--I wasn't sure I was remembering the word count requirements correctly--and somewhere along the line...I...got weirded out. Not by anything specific exactly. It's just...it's a small press.

Again.

I've had a somewhat checkered past with small presses. Which is to say, they keep dying. Sometimes while in the midst of publishing my story. Which sucks! I've been lucky, in that I've gotten prompt rights revision and didn't have any payments in limbo. So apart from the general disappointment and wasted time, I haven't suffered any ill effects.

So I'm kind of waiting for that other shoe to drop at this point.

I feel bad for not wanting to take a chance on small presses. I mean, how will they ever get off the ground if someone doesn't send them stories? But I also feel like I've gotten burned often enough that I can give small presses a hard pass with a fairly clean conscience. One of these times, I AM going to end up in the middle of some drama. I won't get paid, or they'll pull some shit with reserving rights to the edited version, or something else to make it so the story and my pay get stuck permanently.

It's not like I can't still write the story. It's not like there aren't other places I could send it once I do, or other ways I could put it out for readers. I just don't know if the reason I'm stalling out like this is because I don't want to put in the effort to write something in crunch time. Or if I've waited until crunch time hit without writing anything because I haven't felt comfortable with the publisher from the start.

I really like writing stories, but goddamn, the last ten years and change has taught me that I really don't like working with publishers. (Admittedly, I don't love trying to do it all myself EITHER, though that's probably a separate issue.) I feel like I would sooner never see any money and just put stories out for free myself, rather than put my faith in publishers (of any size) to do things ~professionally~.
scrubjayspeaks: macro photograph of snowflake against blue background (Snowflake)
Snowflake Challenge promotional banner with image of white ice crystals/snowflakes on a dark green background. Text: Snowflake Challenge January 1-31

Challenge #4: In your own space, create some goals.

Hmm... I usually do a fair bit of goal setting at the start of the year. Or, well. Not necessarily goals, per se. Assessment. I don't do New Year's resolutions, but I do like to see where my projects are at and spend at least a little time thinking about where I'd like to head.

This year--or more accurately, after *last* year--that feels presumptuous, to put it mildly. Imagine the wild hubris of thinking things will be able to happen according to plans. With the added time and energy constraints of work kicking off the year with absolute madness, I haven't really done any thinking, let alone planning.

One thing I've found works for me, though, is tracking. It's not setting a goal, merely recording what happens for a given metric. In practice, though, monitoring a thing tends to result in my doing more of it. To that end, I'm keeping track in a little spreadsheet of all the books I read this year.

My reading habits are so sporadic, trying to set a specific goal for number of books/pages/whatever in a year would be an exercise in random guessing and futility. But if I just keep track of what I read and when I finish it, I'll probably end up making it through more books than I otherwise would.

One thing I would like to do this year, but which is so lacking in concrete plans as to hardly qualify as a "goal," is get my various (nearly) finished drafts posted. I've got a sequel to an MCU fic that has been written for the last...uh...five years? It just needs revision, and I'm not even sure it needs a particularly heavy hand on that count either. (Depends on how perfectionist I'm feeling, I suppose, which is currently rated at "five years' worth" of perfectionism, so.)

I've also got an original piece that, long story short, has been professionally edited, has cover art made, and is two-thirds of the way coded. I just need to finish the layout for the pdf version and upload the blasted thing. For money! A thing I theoretically do! Somehow!

I do have one, tiny, formal goal for this year. I want to take more pictures. I'm absolutely rubbish at managing to drag out my dSLR, even though I really enjoy using it. There's a decent camera on my new tablet, though, and I have that thing with me much of the time. (I don't have a smart phone, so I've never really gotten into the modern habit of snapping shots of everything around me.)

So my goal is to take one picture a day. Doesn't matter what device I use, what it's of, or if it's even remotely worth looking at. The sole requirement is that I point a lens at something and make the shutter operate at least once.

On the same principle as the tracking, though, I'm hoping that just forcing myself to think about something on a regular basis will indirectly get me doing it more. In this case, I might remember to get my digital camera out more often than at first frost, birthday beach trip, and Halloween, my traditional three times for remembering to take real pictures.
scrubjayspeaks: a three-eyed smiley face (Transmet)
I'm dealing with some health issues at the moment. I am therefore hideously behind on the shabby recaps. Apologies.

In the meantime, here's a link to a link from last month, in which Warren Ellis discusses the sunsetting of the Vertigo imprint at DC.

Though Transmet apparently did not start out with Vertigo, that was the label under which I knew it. It was also the label that carried Neil Gaiman's The Sandman, which was my first meaningful introduction to Western comics. (It would have been X-Men, had I understood at a tender age that the 90's cartoon had come from some other material first.) A few other entries on the list of its titles drifted in and out of the awareness and the bookshelves of me and my friends through the years.

My connection to the comics world has been sporadic. So it was strange to realize just how many memories were stirred up by the news that this imprint would be ending. It was a good and weird place to visit, and I spent more time growing up in that "crooked old house of mystery and secrets" than I realized.

Ten Years

May. 6th, 2019 10:49 am
scrubjayspeaks: photo of a toddler holding an orange tabby cat (baby Joyce)
I am informed by my byzantine and eccentric personal calendar that today marks ten years since I made my first fiction sale. I am having some kind of emotion about this!

...oh, I'm supposed to identify that emotion? Nope, sorry, no idea!

It was a bisexual threesome romance set in a traveling carnival in a largely unspecified fantasy world. I was too scared to write any explicit scenes. It has some vaguely cryptozoological ideas in it and a light con job of sorts. I think (because I have not reread it in ten years, so who can remember?) it ended with the timid third leaving his conventional life of expectations behind to run away, not so much on a whim as on a hope. There was some weird kink hinted at, and there was an attempt (however imperfect) at diversity in the characters.

So there's some continuity in my life, that's for sure.

My god, I was twenty-three once? How is that possible?
scrubjayspeaks: photo of a toddler holding an orange tabby cat (baby Joyce)
Book cover art: in the middle of a dry grass field, a green tree is struck by lightning. Cover text: (above) 64 fantastical Flash Stories presented by HOLLY LISLE; (below) It Happened in a Flash

I’m in an anthology~~~! And it’s free right now~~~!
 
Solve a mermaid’s problem …
Step off the edge of a roof …
Dig up a grave at midnight …
Take advice from a fortune cookie …
Visit the last library …
Meet a bridge troll …
And more …

In one instant, like a bolt of lightning, a single impossible event changes a person’s life. And like the trace of lighting in the sky, each is unique and interesting.

These wildly different flash stories delight, astonish, scare, and inspire. Enjoy 64 delightfully eclectic tales. Like your flash fiction intriguing with a twist? Discover the diversity and check out “It Happened in a Flash”.
 
(*excited whispering* I’M the mermaid story! First story slot! *flail*)
 
This was put together by the writing community to which I belong, so a bunch of my buddies are in here, as well as a lot of people I’ve never read before. (I…need to actually read all the stories that made it in. This has been in the works for a while, and I have forgotten what’s there. :D )
 
The ebook version is currently free, and there is a print version available as well.
scrubjayspeaks: photo of a toddler holding an orange tabby cat (baby Joyce)
Today is the five year anniversary of my first self-published fiction. Like, up for sale on Amazon, has a cover and boilerplate and everything, P U B L I S H E D.

And I have known this date was coming up, and I have expected it to cause unwelcome emotions. After all, I know to expect a drop every time I publish something, just from the adrenaline letdown; a reminder of my cumulative publications seemed likely to cause more of the same. And I'm hormonal and overworked right now, so my resistance is low. It's just that the emotions aren't coming from the direction I expected.

I expected the distress to be about how much I have or have not published in five years. It is not a lot! I am not well pleased by this, it's true. Especially when I very much need to transform myself into the sort of person who writes and publishes such a goddamn deluge of fiction, I can afford to live on that alone and stop killing myself in restaurants. Not producing fast enough is, like, my top anxiety gremlin.

Mostly, though, I was struck by the continued depth of my ignorance. Whatever I have learned about the practice of writing, from dozens of classes and articles and events and podcasts and mentorship, it does not seem to have made a dent. Writing still frequently feels like a mystery.

How do I get myself to write? Faster? More? Smarter?

Why do some stories finish in an instant? Why do some have endings that evaporate as I search for them?

How does plot work? Structure? Pacing? What are the reliable mechanics of story?

Why do some stories that seem to rush, burning, straight from my heart turn tepid and saggy when I try to revise them? Why do I need to tell some stories yet cannot make them work for anyone else?

How can I surprise readers when so much seems to have been said and done already? How can I surprise myself? Why is surprise necessary?

Where is the market for the stories I want to tell? Why do I have such a hard time reaching it?

What do I enjoy in stories? How can I hang onto that joy?

And sometimes, when I am feeling very low and can see only the flatlined sales and the magazine rejections:

What am I doing wrong?

I published that first little collection in 2013, when my entire life was falling apart. I'd had a nervous breakdown, I was a situational mute, I couldn't keep down food most days. I was seriously figuring out the logistics of living out of my car, because I was going to lose my home.

I put together this collection of flash fiction about robots and bodies and survival. I did it out of spite more than anything. To spit in the eye of the people and the world that were trying to eradicate me. I barely remember the process, because it all happened in a kind of fugue state. I taught myself everything from scratch in a couple months: how to finish, properly finish, stories fast and right; how to design covers, albeit rubbish ones; how to layout ebooks in four different formats across three different programs; how to run shop software off my site.

Five years on, and it feels like I have learned nothing. That my ignorance of storytelling and publishing both are so profound, I could never hope to rise above them.
scrubjayspeaks: photo of a toddler holding an orange tabby cat (Default)
(I originally posted this on tumblr, and it's still on my mind, so I'm cross-posting it here.)

I made the dubious decision to read a few pieces by writers, talking about the money they make on writing. This was not intended as an exercise in self-torment; I find this information interesting. That being said…
 
When writers making what my poor ass considers pie-in-the-sky extravagant amounts of money say, “hey, good thing I have a day job to supplement this, dON’T QUIT YOUR DAY JOB!!!1!” I begin very softly to weep myself into a coma.
 
I quit my day job in large part because it destroyed my mental and physical health? I don’t know when or even if I will be capable of working an outside job again? I am still kind of hoping that writing, which I couldn’t do while employed, will allow my disabled self to at least survive?
 
I get it--clearly I am not the intended audience for this advice. I’m not trying to find fault with the writers doing the community the kindness of speaking frankly about the often-taboo matter of finances.
 
I just…cannot find it in me to laugh at the old jokes about naive writers who quit their day jobs too soon. I can’t help flinching when I unfold The Map Out Of The Wilderness, and see
 
YOU ARE HERE*

*you cannot get out from here
scrubjayspeaks: photo of a toddler holding an orange tabby cat (Default)
AAAAAAAAH

Just submitted a story to a SF/F magazine. For the first time in...3 years. Yay! \o/

*runs from the room screaming*

AAAAAAAAH

EDIT: Aaand rejected in about 15 hours. D: Next target on the list doesn't open until Monday, so the story will go out again then. *sigh*

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